4 Aprile – 15 Settembre 2019 Edited by Nuria Enguita, Lucia Aspesi. Tagged with: Sheela Gowda. Hier sollte eine Beschreibung angezeigt werden, diese Seite lässt dies jedoch nicht zu. The latters are distinguished by a large variety of materials—such as hair, organic substances, cow dung, incense, and natural pigments—and are displayed in connection with the iconic architecture of the Navate at Pirelli HangarBicocca. Lizzie Fitch / Ryan Trecartin: Whether Line / Fondazione Prada Milano . Date. Sheela Gowda (Bhadravati, Karnataka, India, 1957; vive e lavora a Bangalore) è considerata una delle maggiori esponenti dell’arte contemporanea in India. Kurz erklärt Sheela Gowda: WHAT YET REMAINS, 2017 Fässer werden aufgeschnitten, sodass rechteckige Platten entstehen, die eine Straßenwalze platt walzt. Materials, which she rightly uses, have their own contexts, so while trying to physically transform them in various ways, she tries not to lose sight of their identity. Außerdem ist sie als Fotokünstlerin tätig, wobei sie nicht selbst fotografiert, sondern von anderen aufgenommene Fotografien auswählt und überarbeitet. She writes art texts for various magazines in English, Italian, French and Polish. Lenbachhaus, Simone Gänsheimer/Sheela Gowda 5 Sheela Gowda: What Yet Remains, 2017, Ausstellungsansicht. “Remains” is the first major solo show of works by Sheela Gowda in Italy and it is a unique opportunity to discover more than twenty years of the artist’s production. Sheela Gowda (born 1957 in Bhadravati, India) is a contemporary artist living and working in Bangalore.Gowda studied painting at Ken School of Art, Bangalore, India (1979) pursued a postgraduate diploma at Visva-Bharati University, Santiniketan, India (1982), and a MA in painting from the Royal College of Art in London in 1986. Noteworthy, the “remains” exhibited in the gallery are always refined and placed in space with the highest precision. As a result, it’s willingly used in artistic practice and becomes a tool for Gowda to express a political stance that uses religious symbols for conservative purposes. Sheela Gowda ist keine Künstlerin und macht keine Kunst, die nur in Indien verstanden wird, ganz im Gegenteil, Sheela Gowda stellt international sehr viel mehr aus als in Indien. This exhibition, first solo show in Spain, has been organized in collaboration with Pirelli HangarBicocca. Sheela Gowda (born in Bhadravati, Karnataka, India, 1957, lives and works in Bangalore) has developed her practice through a constant dialog and exchange between local artistic traditions and international forms of art. “Remains” presents a broad selection of works by Sheela Gowda, bringing installations, sculptures, prints and water-colors realized from 1992 to the present day together with new, site-specific works conceived for Pirelli HangarBicocca. Remains, by Sheela Gowda. Sheela Gowda erklärt ihr Werk "WHAT YET REMAINS, 2017", eine Installation aus Metallschalen verschiedener Größe. Remains installation view at Pirelli HangarBicocca. There are twenty-three works by Sheela Gowda, exhibited along the naves of Hangar Bicocca, created from 1992 to now. Remains Eine Gesellschaft im Umbruch: Die Schau der Künstlerin Sheela Gowda im Kunstbau des Lenbachhauses in München zeigt, dass Kunst aus Indien zählt. Like traces that resist the passage of time, the works are set A selection of multimedia works by acclaimed Indian postminimalist Sheela Gowda. The parallel nature of the material, both waste and sacredness, gives an added value to the conceptual perspective. “Art is how you see things and how you value things that surround you” – summarizes Gowda. Sheela Gowda: Remains. Sheela Gowda Remains April 4–September 15, 2019 Press Conference: April 2, 12–2pm Opening: April 3, 7–11pm Walk with Sheela Gowda and Jessica Morgan: April 6, 11am–2pm Pirelli HangarBicocca Via Chiese, 2 20126 Milan Italy Hours: Thursday–Sunday 10:30am–8:30pm T +39 02 6611 1573 info@hangarbicocca.org www.hangarbicocca.org Facebook / Instagram / Twitter. Solo exhibition at Pirelli HangarBicocca. An observation of such a delicate ephemeral substance evokes the feeling of the passing of time, recalls the memory and leads to the theme of the remains. Exhibitions; Free ; About the exhibition . A similar point was made in What Yet Remains (2017), comprising a large number of bandlis aligned in clusters on the concrete floor. From April 4 until September 15 2019, Pirelli HangarBicocca will be hosting Remains, an exhibition featuring the work of the indian artist Sheela Gowda from 1996 through the present day. 10:00 am - 10:00 pm. The spaces of the Navate of Pirelli Hangar Bicocca pay tribute to the Indian contemporary artist Sheela Gowda with the first monographic exhibition in Italy. info@hangarbicocca.org, Design: Leftloft After graduating from the Royal College of Art in London in 1984, she returned to India. Sheela Gowda erhielt 2019 den Maria-Lassnig-Preis - 2020 stellt das Lenbachhaus die in Bangalore arbeitende Künstlerin aus. Gowda declares, that she never made sculptures in the strict sense, but she’s always used to make installations that relate to their surroundings, as well as to the spectators themselves. Required fields are marked *. “When the object is well defined, there is nothing left to say. Sheela Gowda (Bhadravati, Karnataka, India, 1957; lives and works in Bangalore) is one of the leading names in contemporary art in India. The exhibition is curated by Nuria Enguita and Lucia Aspesi, and it lasts from 4th April to 15th September 2019. Ihre Installationen sind geprägt durch den dezidierten Umgang mit organischen und poveren Materialien … The exhibition of Stach Szumski and Francesco Pacelli at Eastcontemporary. Your email address will not be published. The artist’s works have been exhibited in numerous solo shows in international venues and institutions, including Ikon Gallery, Birmingham (2017); Pérez Art Museum, Miami, Para Site, Hong Kong (2015); Centre international d’art et du paysage, Vassivière (2014); Irish Museum of Modern Art, Dublin, Lunds Konsthall, Lund, Van Abbemuseum, Eindhoven [travelling exhibition] (2013-14); Iniva, London (2011), Office for Contemporary Art (OCA), Oslo (2010). T (+39) 02 66 11 15 73 Exhibited in the monumental and undivided space of the Navate, the exhibition includes, among new works, a wide selection of site-specific installations and sculptures, as well as watercolors and prints. a cura di Nuria Enguita e Lucia Aspesi Featured: Documenta. CONTEMPORARY ART MAGAZINE SINCE 1980 More... Monumental, total, majestic; it’s hard to bring in mind an exhibition organized in Hangar Bicocca in Milan, which wouldn’t make the grandeur impression and wouldn’t be accompanied by the specific subcutaneous seriousness. Sheela Gowda Remains A cura di Nuria Enguita e Lucia Aspesi / 4 Aprile - 15 Settembre 2019 . Your email address will not be published. Categories. Published by Skira. Aus den Platten werden dann mit Hammer und Meisel runde Scheiben gestanzt. Sheela Gowda (b. Bhadravati, India, 1957) lives and works in Bengaluru. Sheela Gowda Remains 04.04 - 15.09.2019 A cura di/Curated by Nuria Enguita e/and Lucia Aspesi Navate Seguici su Follow us on Scopri tutte le nostre guide alle mostre su hangarbicocca.org Find out more about our exhibition guides on hangarbicocca.org Pirelli HangarBicocca Mappa e lista delle opere in mostra Plan and list of the exhibited works. In Trieste an exhibition dedicated to borderlands and cultural mixes, Holobiont Rhapsody, where the invisible becomes visible. Sheela Gowda Teerfässer und Haare, Kuhdung und Kum-Kum Ein Gespräch von Heinz Schütz Die indische, 1957 in Bhadravati geborene und in Bangalore lebende Künstlerin Sheela Gowda wird seit den Neunzigerjahren mit ständig wachsendem Interesse im globalen Kunstkontext wahrgenommen. With an abundance of the delicate and ever-present aroma of incense, the smells of dung with which three works are spread (“Mortar Line”, 1996; “Untitled (Cow Dung)”, 1992-2012; “Stock”, 2011;) , the weighty scent of rubber, and the vibrant colors of kumkuma everywhere, we really run the risk of having the impression of finding ourselves in a meditative space on the other side of the world. 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The Fundació Per Amor a L’Art (FPAA) presents at the Bombas Gens art centre the Sheela Gowda’s exhibition “Remains”, curated by Nuria Enguita and Lucia Aspesi. Posted in: art, Milan, no comment, VernissageTV. Sheela Gowda: Remains. Pirelli … Mehr dazu hier! Sheela Gowda. Solo exhibition at Pirelli HangarBicocca - YouTube Pirelli HangarBicocca in Milan (Italy) just opened Indian artist Sheela Gowda’s first solo exhibition in Italy. Acconsenta ai nostri cookie se continua ad utilizzare il nostro sito web. It helps that since the 1990s Gowda has worked increasingly with everyday materials. The project brings themes and languages that are new to the exhibition programme of the centre, with tri-dimensional works that occupy the exhibition space through imposing sculptural installations. You also have the option to opt-out of these cookies. Remains Curated by Nuria Enguita and Lucia Aspesi / 4 April - 15 September 2019 Sheela Gowda (Bhadravati, Karnataka, India, 1957; lives and works in Bangalore) is one of the leading names in contemporary art in India. Sheela Gowda (Bhadravati, Karnataka, India, 1957; lives and works in Bangalore) is one of the leading names in contemporary art in India. Thus, the concrete ordinariness is represented by the material, whereas its presence in space, the dynamics that occurred within material-space-viewer relationships, and finally, physical modifications induced by the artist, the abstract result and the overall ephemeral approach, refer to the artistic gesture, where form, material and context come together. First, Gowda studied painting at the Ken School of Art in Bangalore. Sheela Gowda – ‘Art Is About How You Look At Things’ | TateShots, The limes and the invasion. Dabei nutzt sie Malerei, Zeichnung, Installation und Bildhauerei und verbindet traditionelle künstlerische Techniken mit westlichen Methoden. Later, she attended the M.S. Sheela Gowda (Bhadravati, Karnataka, India, 1957; lives and works in Bangalore) is one of the leading names in contemporary art in India. Remains, the artist’s first solo exhibition in Spain, brings together installations and sculptures as well as a selection of works based on images, ranging from different periods and constructed using various materials and scales… This exhibition is Sheela Gowda’s first solo show in Italy and, in addition to two new productions, it presents a wide selection of works she has made from 1992 to the present time, including watercolors, prints, and site-specific installations. Sheela Gowda (born in Bhadravati, Karnataka, India, 1957) doesn’t disappoint us with the “Remains” display, inviting us into a strange and fragrant world. via Chiese 2 Milano, video: Sheela Gowda – ‘Art Is About How You Look At Things’ | TateShots, For all the images: Sheela Gowda. You could risk calling them “relic” for their historical, metaphysical weight, and the sacred and poetic atmosphere they carry within. We also use third-party cookies that help us analyze and understand how you use this website. Deshalb hat Gowda die kritischen Kuhfladen, die sie davor auf Jute und Papier verschmierte, zu etwas Neuem geformt, zu … Sheela Gowda is a contemporary artist living and working in Bangalore. These cookies will be stored in your browser only with your consent. The exhibition is curated by Nuria Enguita and Lucia Aspesi, and it lasts from 4th April to 15th September 2019. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. With ‘Remains’, however – which opened in the Navate during this year’s Milan Art Week – the artist Sheela Gowda has convincingly made the space her own. Featured in the monumental and undivided space of the Navate, the exhibition is a unique opportunity to discover more than 20 years of Gowda’s production. Gowda studied painting at Ken School of Art, Bangalore, India pursued a postgraduate diploma at Visva-Bharati University, Santiniketan, India, and a MA in painting from the Royal College of Art in London in 1986. Desert X Biennial 2019: Kathleen Ryan. Sheela Gowda (*1957 in Bhadravati, Indien) lebt und arbeitet in Bengaluru. The Lenbachhaus presents her first solo exhibition at a museum in Germany. Both were designed specifically for the exhibition. This category only includes cookies that ensures basic functionalities and security features of the website. The use of hair refers to rituals – votive offerings to invoke a deity; everyday life – lucky charms; economy – sale on the world market. University of Baroda and the Visva-Bharati University in Santiniketan, still remaining in the classical, two-dimensional and traditional artistic language. Für ihre raumfüllenden Installationen verwendet Gowda landesspezifische Materialien, die durch Beschaffenheit, Farbe oder Geruch eine narrative Atmosphäre erzeugen und zugleich metaphorische Kraft entfalten. Sheela Gowda Remains Centrestage Pirelli HangarBicocca presents Remains, Italy’s first major solo show of works by Bangalore based Indian artist, Sheela Gowda. Gowda stresses out that it’s a great challenge to bring a concept to the formal language. Info: Lenbachhaus, Simone Gänsheimer/Sheela Gowda 5 Sheela Gowda… Installation view of SHEELA GOWDA ’s What Yet Remains, 2017, metal drum sheets, metal bowls, dimensions variable, at “Remains,” Pirelli HangarBicocca, Milan, 2019. Sheela Gowda: Remains. Diese Scheiben werden zu … Born in Poland, she lives and works in Milan. “Manipulating a material is a way to understand its limits and potential … For this reason I don’t make explicit the physical dimension of my art-making” – explains the artist. Development: Mirko Sassetti. These cookies do not store any personal information. “Remains”, leftovers, remaining objects – are artifacts and waste materials with a certain symbolic value, found by the artist, observed, modified and placed in the center of an interest of her first individual exhibition in Italy. This website uses cookies to improve your experience while you navigate through the website. The emphasis on process can also be linked to local traditions of craft and the implicit role of labor in making art. The installations and works on paper of Sheela Gowda (born 1957) present cultural ties to India through material—hair, cow dung, incense, natural pigments—and process, through ritualistic references to labor. Aber: Für immer Kuhmist-Künstlerin ging auch nicht, das färbt dann zu sehr auf alles andere ab. In the Fall of 2019 a version of the exhibition travelled to Bombas Gens Centre d’Art, Valencia. It is mandatory to procure user consent prior to running these cookies on your website. The artist’s works, characterized by a strong spatial dimension, assume elements of Modernism as a starting point, elaborated by the artist via production processes featuring strong ritualistic references. Artist, curator and researcher. Sheela Gowda (born in Bhadravati, Karnataka, India, 1957) doesn’t disappoint us with the “Remains” display, inviting us into a strange and fragrant world. Necessary cookies are absolutely essential for the website to function properly. Sheela Gowda wollte nicht mehr zurück zu unpolitischer Kunst, nachdem die nationalkonservative BJP in den 1990er-Jahren zum ersten Mal an die indische Regierung kam. Das Lenbachhaus zeigt ihre erste museale Einzelausstellung in Deutschland. About thirty years have passed since the artist began working, starting from traditional oil painting on canvas, gradually shifting her attention to objects and everyday materials. Location Hangar Bicocca. The private foundation Per Amor a l’Art presents Sheela Gowda. Press View, April 4, 2019. Graduated in Photography and Visual Recording Arts at the University of Art in Poznan (Poland) in 2013. After studying at Ken School of Art and Visva-Bharati University (India), Gowda deepened her research on painting at the Royal College of Art in London. Time. Her work ranges from drawing, to sculpture, to large-scale installation, and involves the use of materials that often convey cultural values linked to the context they stem from. Some incenses from the collection entitled “Collateral” (2007) were burned up to the point of becoming an ash. Remains at Bombas Gens Centre d'Art (València) by Sheela Gowda (born in Bhadravati, Karnataka, India, 1957; lives and works in Bangalore). The same rules and processes push the artist to use cow dung, in India, where this animal is sacred and its dung has such a wide context: ritual, religious, productive (cow dung is used to generate fuel, fertilizers, bricks, sculptures and toys) and sustenance (milk). Sheela Gowda has also taken part in major group shows, including 31st São Paulo Biennale (2014); 1st Kochi-Muziris Biennale (2012); 53rd Venice Biennale; 9th Sharjah Biennale (2009); 9th Lyon Biennale; documenta 12 (2007). The most recent are “In Pursuit of” (2019) – 15 kilometers of the human hairs’ strings – hung properly in the raw space of the last room, and the “Tree Line” (2019) composed of a large piece of black rubber. Remains at Bombas Gens Centre d’Art (València) by Sheela Gowda (born in Bhadravati, Karnataka, India, 1957; lives and works in Bangalore).This exhibition, first solo show in Spain, has been organized in collaboration with Pirelli HangarBicocca. In 2018 she attended the “Latest Trends in Visual Arts” course at Brera Academy of Fine Arts. The private foundation Per Amor a l’Art presents Sheela Gowda. 4 Apr, 2019 - 15 Sep, 2019. When you find something, that, at this very moment, is simultaneously in a phase of being and not being, of becoming, instead, I think it’s much more stimulating and interesting, and also more adequate for what you want to express “- she claims. For her sprawling installations, Gowda uses distinctive materials from her country whose nature, colors, and scents endow her works with a narrative as well as metaphorical force. –– Right-click (Mac: ctrl-click) this link to download Quicktime video file. Recording Arts at the Ken School of Art in London in 1984, she lives and works in.. At Brera Academy of Fine Arts Scheiben gestanzt d ’ Art presents Sheela Gowda REMAINS a cura di Enguita... She lives and works in Milan University in Santiniketan, still remaining in the Fall of a. Features of the exhibition is curated by Nuria Enguita e Lucia Aspesi, and it from! The Lenbachhaus presents her first solo show in Spain, has been organized in with. 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